8 December 2009

The statue in Shapur's cave

Today, I moved the pages of Bishapur, one of the places I like most in Iran. During my first visit, we were especially interested in locations that were Alexander-related, so we visited a lot of Achaemenid sites; yet, we all agreed that Sasanian Bishapur, for which we had not been prepared, was among the highlights of our trip. The six rock reliefs and the city are really spectacular. I already blogged about the recently reopened museum.

I’ve returned several times, and on each occasion, I discovered something new or met someone interesting. But the best memories belong to the climb to the cave with Shapur’s statue, one of the most splendid places in the world – not the cave with the statue, which is interesting but not very special, but the valley. It is the most beautiful place of Fars. You’ve just not been in Iran if you haven’t climbed that rock and enjoyed the scenery.

The Bishapur pages are something of a jubilee: has now reached its 3500th page. I also added a very brief article on the Persepolis Treasury Tablets, and a third page of Amsterdam stone tablets, which brings the grand total to 3502.

And because there’s something to celebrate, here is the last version of my Google Earth markers (1437 sites).

Sasanian Rock Reliefs

30 August 2008
Investiture of Ardašir I (from Naqš-i Rustam)

Investiture of Ardašir I (from Naqš-i Rustam)

The Sasanian Rock Reliefs belong to the most beautiful monuments I have ever seen in Iran. Unlike Achaemenid court art, which is dignified and static, Sasanian art is dynamic and almost expressionist. And where the Achaemenids wanted to express that their monarchy was eternal and therefore refrained from individualism, the Sasanian sculptors show us particular kings and noblemen, who can be identified from their crowns and badges.

The reliefs can be found on several places in Iran: for example, in Bishapur, Sarab-i Bahram, Taq-e Bostan, Barm-e Dilak, Naqš-e Rajab, Guyum, Firuzabad, and especially Naqš-i Rustam. The standard book on the subject is Louis Vanden Berghe’s Reliefs rupestres de l’ Iran ancien (1983 Brussels).