Isn’t science lovely?

The death of Archimedes (Sixteenth century copy of an ancient mosaic; Städelsches Kunstinstitut, Frankfurt)

If a tree does not fall in a forest, and if there are people to see that the tree has not fallen, do you need to explain the fall of the tree? I thought that there are more useful activities than explaining historical facts that did not happen. Yet it is apparently a scientific enterprise – at least I am sure it may be so in Italy.

Here‘s the story: a mechanical engineer named Cesare Rossi, from Naples, proposes that the burning mirror that Archimedes used during the siege of Syracuse was in fact a steam gun of the type designed by Leonardo da Vinci. Rossi realizes that the story of the heat ray is a Byzantine fairy tale, which is a good thing – I know a professional ancient historian who had not yet reached this simple conclusion.

But beyond this point, I cannot understand Rossi anymore. Archimedes’ heat ray is not mentioned in our sources: Polybius, Livy, and Plutarch are silent about them, although they have described the siege of Syracuse at great length and offer detailed descriptions of Archimedes’ inventions. The story surfaces centuries later, is an invention, and cannot be true; this means that there is no need to offer a hypothesis. I expect Mr Rossi’s next proposal will be an explanation how Daedalus could have flown away from Crete – another fairy tale.

Common Errors (1): Archimedes’ Heat Ray

It is one of the most impressive movie scenes I have ever seen: how Archimedes set Roman warships afire with a burning mirror, in the famous Italian movie Cabiria (1914; scene starts at 20’24). The incident, which took place during the siege of Syracuse in 212 BCE, can be found in many history books and continues to amaze. Unfortunately, it can not be true.

Scene from Cabiria: Archimedes' hexagonal mirror (top) sets a Roman ship (front) afire.

There are two arguments. In the first place, the laws of physics. On at least three occasions, people have tried to repeat the trick; they established that, if you use dozens of mirrors, you can indeed set fire to an object at a short distance (50-60 meter). The sources, however, refer to only one mirror or a couple of mirrors. Worse, the object must remain on the same place for some time, which is not very likely: the Roman galleys were subject to waves, winds, and swell. To really work, the mirror must have a diameter of at least eleven meters, which is larger than the largest telescope mirror ever made.

As a practical instrument, the weapon can, therefore, not exist, unless Archimedes could suspend the laws of nature. The story is pseudoscientific in its most elementary sense.

The second argument is that the famous incident is not recorded in our sources. Historians like Polybius, Livy, and Plutarch offer detailed descriptions of the siege of Syracuse and mention new weapons, but the heat ray is not among them. This is sufficient to send the story to the country of fairy tales.

But what are the origins of the story? Now, things become more complex.

The first to refer to Archimedes as firemaker appears to have been the satirical writer Lucian, who praises an engineer for having surpassed several legendary engineers, including Archimedes, who invented an instrument to set ships afire (Hippias 2). We know more about this from Lucian’s younger contemporary Galen, who offers an account of spontaneous combustion of houses, and adds that “this, they say, was how Archimedes set fire to the enemy ships by means of pyreia” (On Temperaments 3.2). Pyreia is usually translated as “firesticks”. Note that Lucian and Galen do not identify the enemy.

As far as I know, the first to refer to Archimedes using mirrors, is the Byzantine author Anthemius of Tralles (sixth century) in a book called On miraculous engines. On page 153 and 156 (ed.Westerman), he informs us that Archimedes’ secret weapon consisted of many small, flat mirrors. The Byzantine author Tzetzes (twelfth century) even offers a detailed description:

Archimedes constructed a kind of hexagonal mirror, and at an interval proportionate to the size of the mirror, he set similar small mirrors with four edges, moving by links and by a kind of hinge, and made the glass the centre of the sun’s beams … So after that, when the beams were reflected into this, a terrible kindling of flame arose upon the ships, and he reduced them to ashes a bow-shot off (Chiliades, 2.109-123).

This is the instrument shown in Cabiria, but the experiments have shown that it is too simple to do the job; Tzetzes cannot have used an authentic source.

There’s perhaps one author before Anthemius who may have referred to burning mirrors: the third-century historian Cassius Dio, but his account of the siege is lost. However, Tzetzes’ older contemporary Zonaras summarizes Dio’s History of the Roman Empire, and refers to the burning mirror. The problem is that Zonaras often introduces stories to his excerpt, and this may be one of these additions; worse, he also writes that this weapon was used in 514 by one Proclus, when he defended Constantinople against the ships of the Gothic adventurer Vitalianus (Annals 14.55).

Summa summarum: I think that Proclus’ experimental weapon, which must have been known to Anthemius, is the origin of the story. Alternatively, the story of Archimedes’ mirrors appears to have been invented in the age of Lucian, Galen, and Cassius Dio, about half a millennium after the siege of Syracuse.

This is not unique: think only of Pythagoras, who is never credited with the theorem that is now named after him, until the fourth century CE.

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