The Vanden Berghe List

Ardašir's Investiture, Firuzabad

Louis Vanden Berghe (1923-1993) was a Flemish Iranologist, the founder of Irania Antiqua, the excavator of a/o Pusht-i Kuh in Luristan, and a member of the prestigious Society of Antiquaries of London. He is also the author of a useful list of Iranian rock reliefs, published in Reliefs rupestres de l’Iran ancien (1983). Because I am now changing my pages on Naqš-i Rustam, a site with many Sasanian reliefs, the book is on my desk, and I decided to make it available online. So here it is, with links to photos of the sites.

King David’s Shop

The relief at Dukkan-e Daud

Every day, about 4,000 Iranian pilgrims heading for Kerbala cross the Iraqi frontier at Qasr-e Shirin. They will probably not notice this little relief at Dukkan-e Daud, “David’s Shop”. It shows a Magian or a Zoroastrian priest, and can be found immediately below a Late Achaemenid tomb. The relief appears to be unfinished and I would not be surprised if a fire altar was part of the original design.

Few Iranian monuments will be cared for so much, because the local population believes that the relief represents King David. There may indeed have been a King David in this area, a Jewish smith with several disciples, who may or may not have been buried over here. That’s the story I read about this relief. Others say that the famous king mentioned in the Bible and Quran found his final resting place over here. However that may be, many people have preferred to be buried below the rock, close to this King David, and women present their babies to the ancient tomb.

David’s Shop is about three kilometers east of Sar-e Pol-e Zahab, a bit south of the main road from Qasr-e Shirin to Kermanshah. The relief is included as #18 in Louis Vanden Berghe’s Reliefs rupestres de l’Iran ancien (1984).

2001. A Space Odyssey, and Zoroastrianism

It is probably one of the best-known and most impressive images from movie history: the spectacular rise of the sun and the earth over a moonscape, in Stanley Kubrick’s 2001. A Space Odyssey. Kubrick seems to have liked the image, because he repeated it several times, with minor variations like the sun rising over a strange monolith or the sun rising over a crescent-shaped earth (video).

Of course, it is not just the image that makes this scene unforgettable. It is the splendid music that really matters and makes the experience, in a word, sublime. This is what makes cinema great, and this is why I went back to see 2001 at least five times.

Nabonidus; stele from Harran (this monolith is in the British Museum)

Kubrick’s movies are usually full of little, intellectual jokes. To offer an example from his wicked Doctor Strangelove: if in one scene a group of soldiers is ordered to bomb the “Laputa Missile Complex”, it comes as no surprise that in another scene a Soviet leader is visiting a brothel. And yes, la puta is not only Spanish for “prostitute”, but also a reference to Gulliver’s Travels. I said Kubrick was a bit of an intellectual, didn’t I?

Perhaps, the intellectual joker in Kubrick also accompanied the artist when he created the sunrise in 2001. The impressive music is from Richard Strauss’s Also sprach Zarathustra (“Thus spoke Zarathustra”), and belongs to a part of that symphonic poem that represents a sunrise. Well-chosen, but there is more to be said.

Strauss’ tone poem was in turn based on Friedrich Nietzsche’s book with the same title. The philosopher was not particularly interested in the Iranian prophet Zarathustra, but merely needed a hero that was older than Judaism and Greek philosophy, and lived at the dawn of history.

Nabonidus; stele from Harran (this monolith is in the Archaeological Museum of Sanli Urfa)

It seems that Kubrick did some research into Zoroastrianism, the religion founded by the real Zarathustra. The alignment of a lunar crescent and the sun is a common theme in eastern art. It can be seen, for example, on every Achaemenid royal tomb, and I would not be surprised if Kubrick knew it. An even closer parallel can be found on two monoliths from Harran, which can be seen in any book on ancient eastern art: the Babylonian king Nabonidus venerating the moon crescent, a planet, and the sun.

Perhaps some of you will object that Babylonian art has little to do with Zoroastrianism, or remark that it is debatable whether the Achaemenids adhered to the teachings of Zarathustra. Of course that’s fair criticism, but as I said: Kubrick was an intellectual and an artist – he was not an Iranologist.