Marathon Sarcophagus, Museo Santa di Santa Giulia (Brescia)
The photo above shows a battle scene on a sarcophagus in the Museo di Santa Giulia in Brescia in northern Italy. It’s very common to decorate sarcophagi with representations of the Trojan War or the clash between the Greeks and the Amazons, but this is not a mythological fight: it represents the final stage of the Battle of Marathon, in which the Athenians repulsed a Persian army.
Some thirty, forty years after the battle, the Athenians dedicated a monument to their victory: the Stoa Poikile or Painted Colonnade. There were four paintings, made by either Polygnotus or Micon and Panaenus (the sources are contradicting), and one of these represented the fight at Marathon. The author Pausanias mentions “the fight at the ships and the Greeks slaughtering Persians as they jump into them”.
To be honest, I am not very sure about the identification. It is easy to recognize the Athenians, who are shown in heroic nudity and wear Greek helmets, but the Persians do not strike me as very realistic. I would have expected the man who is carried to the ship to wear trousers: the normal way in which the Greeks represented Persians. On the other hand, I would not know who else might be shown with this kind of headband.
So let’s assume that it’s indeed the Battle of Marathon we are witnessing. Then we have important evidence to reconstruct the fight. The classical account is written by Herodotus, who wants us to believe that the Athenians, after a stalemate of several days, unexpectedly crossed the plain and attacked the Persians. This is strange, because we would expect the Persians to send mounted archers to obstruct the Athenian advance. Where was the Persian cavalry?
There is, however, another story about the Battle of Marathon, which can be found in the biography of the Athenian commander Miltiades by the Roman author Cornelius Nepos (first century BCE) and in the Suda, a tenth century Byzantine lexicon. According to these sources, deserters from the Persian army had come to the Athenian camp, telling that the cavalry were away. But why? It has been argued that the Persians had become uneasy with the situation on the plain. They may indeed have decided to evacuate the place to attack the Athenian port, and if this is true, they must have led their horses to their ships. I have always liked this hypothesis.
The Brescia relief suggests a different possibility. To the left, you can see a horse. If you look carefully, you can see how a Greek, facing to the left, unsaddles the Persian rider, who is shown tumbling behind his horse. Only his head is still visible. This would suggest that there was indeed Persian cavalry on the battlefield, which in turn suggests that the horses were not on the ships, but were somewhere else and returned to the battlefield in the final stage of the fight. So, here we have additional evidence, and the main result is only the falsification of a hypothesis. It is not much, but it’s something.
Final remark: it is long ago that I visited Brescia. I have no photos, but this one comes to me through my friend Sepideh Ramezani, a student in Trento, who asked her fellow-student Luca Adami to help me get this photo; and he asked Mr Alessandro Frassine, who took the photo. Thank you very much!