A Divine Comedy

Dante’s vision of the heavens

I confess that there have been weeks, even months in which I haven’t thought of a brief ancient text called the Apocalypse of Paul. As a matter of fact, until yesterday, I had not even heard of this treatise, which is one of the texts from Nag Hammadi.

But I am not going to start this blog post with an obscure treatise from the Egyptian desert; instead, I start with a better known piece of world literature: Dante’s Divine Comedy. Published between 1308 and 1321, it describes how the poet has a vision, in which he descends into Hell, climbs the Mount of Purgatory, and arrives in Heaven. His guide is the Roman poet Virgil, and it has been assumed that Dante based the structure of the Comedy on the Aeneid, in which the poet descends into the Underworld.

This is of course unsatisfactory. Dante’s poem is too optimistic to be modelled upon a descent into Hell. The Spanish scholar Miguel Asín Palacios discovered a far more plausible model: the Islamic story about Muhamad’s ascension to the seven heavens, the Mi’raj. The classic account of Muhamad’s vision can be found in Ibn Ishaq’s Life of the Prophet, but there are many legends about it. They have been collected in the eleventh-century Kitab al-Miraj (the “Book of the ladder”), which was in 1264 translated into Spanish as La Escala de Mahoma by Abrahim Alfaquim. Dante knew it through his teacher, Brunetto Latini.

In other words, a part of Muhamad’s biography has been embellished; these legends were translated; and Dante used this in his masterpiece. It is always interesting to see how literary themes can jump from one culture to another.

As a matter of fact, the Mi’raj story itself is also an example of this: the Prophet is negotiating with God about the number of prayers that the believers have to say, in a story that very closely resembles the Jewish account of Abraham negotiating with God about the number of righteous people in Sodom and Gomorrah.

Dante and Muhamad, however, are not the only visitors of Heaven. In the ancient Jewish world, there used to be a substantial literature about the patriarch Enoch, who is mentioned in Genesis 5.18-24 as one who “walked with God” and who was “taken by God”- in other words, he never died. Since the third century BCE, many stories were told about what Enoch had seen in Heaven, and how he witnessed the great battles between Good and Evil in the early days. This subject matter used to be extremely popular.

However, the rabbis who organized the Jewish Bible excluded the Enochite literature, because they were not convinced that it was Divinely inspired. The early Christians did sometimes quote from Enoch, but in the end also excluded the texts from their scriptures. The exception is the Ethiopian Church, and it is possible that the Mi’raj story is based on the Ethiopian Enoch. However, I think that the Apocalypse of Paul offers a much closer parallel.

It is a very short text – three pages in the translation I consulted – but that is enough to see that it refers to an ascension to heavens. The plural “heavens” is crucial. It is derived from the Pauline epistles, when the apostle says he ascended to the third heaven (2 Cor. 12.1-4). So, I would guess that the Apocalypse of Paul is the missing link between the Book of Enoch and the story of the Mi’raj. However, there are alternatives; Enochite literature was known to Jewish mystics, and they can also be a missing link.

In sum: a motif jumps from one religion to another. The author of the Apocalypse of Paul has combined Enochite and Pauline themes, and is the missing link between Enoch’s ascension to Heaven and the Mi’raj. It might be interesting to look at a connection to the myth of Etana, who was brought to heaven by an eagle.

2300 Ancient Sites on Google Earth

Kampyr Tepe (Uzbekistan)

On several occasions I have blogged on the possibilities of Google Earth and its online spin-off, Google Maps. My last blog on this topic was a bit over half a year ago, when I had some 1700 items available. In the meantime, I have added more than 550 ancient sites to my list, from all quarters of the ancient world. The grand total now is 2366.

The online version is here and the masterfile can be downloaded here. If you use the latter, do not forget the directory NEW/OFF-TOPIC, which contains many others, still unqualified markers.

Review: Sie bauten die ersten Tempel

Cover

I already blogged about my visits to Göbekli Tepe in southeastern Turkey. It’s an important site from the Early (preceramic) Neolithicum. What it is, we don’t really know, although Klaus Schmidt, the excavator, is pretty sure that the site is religious in nature. In his nice, well-illustrated book, Sie bauten die ersten Tempel (“They built the first sanctuary”), he offers lots of information.

The book is very well-structured. In the first chapter, Schmidt explains how the site was identified. It had already been discovered, but the discoverer had not understood that the big stones on the surface were from the Stone Age. Misidentifying them as Islamic tombstones, he had not realized the site’s significance. Schmidt, who had the benefit of knowing the finds from sites like Çatal Höyük, Çayönü, Nevali Çori, and Gürcütepe, was the first to realize the importance of Göbekli Tepe (“belly hill”).

The second chapter is about the discovery of the Stone Age, from the very moment that archaeologists realized that there had been an age in which people made stone objects, until the present day. It is a very useful and interesting chapter, because Schmidt can introduce important questions and technical expressions.

The third, and longest, chapter consists of a meticulous description of what has actually been found. The five enclosures are mentioned and every pylon receives is dealth with. Those pylons, which represent human figures (ancestors?), were decorated with all kinds of animal figures. Perhaps this chapter was a bit too detailed, but Schmidt did well to separate the description from the identification.

Enclosure C; photo Kees Tol

The fourth chapter deals with the interpretations. Schmidt compares Göbekli Tepe to several other places, without making very strong statements. Nevertheless, I was impressed by his argument that at least one picture does not represent ostriches, but people dancing like ostriches. I also liked the idea that the pictures of animals might in fact be some kind of sign language, although Schmidt does not say that this is the only possible interpretation of the finds. His conclusion is essentially negative: he is certain that these animals were not representation of the hunter’s prey. No one hopes to catch spiders or snakes.

A predator from Enclosure C; Museum Sanli Urfa; photo Marco Prins

In the fifth chapter, we read about the way this monument was built. A great many hunters and gatherers must have been involved, and the size of the monument proves that they were well-organized. The 2007 edition of the book, which was first published in 2005, concludes with an additional chapter with new finds and further thoughts.

What I like about Sie bauten die ersten Tempel is that it presents scholarship as a puzzle and allows readers to understand the process of acquiring knowledge. There is much room for doubt and cul-de-sacs are not ignored. For example, many animals look as if they are about to attack – but what are they defending? Schmidt admits that he does not know. He calls the building a temple, but immediately stresses that in fact, we cannot really know. This is the way a true scholar must proceed. I like this excellent book and can sincerely recommend it.

Classics in Decline

In 2011, I wrote a book called De klad in de klassieken, “Classics in Decline”. It is about the way classicists, archaeologists, and historians try to guarantee that their information is adequate. The seven first chapters deal with their craftmanship, the three final ones with the problems they are facing in the Dutch, bureaucratic universities. The book was published in January 2012. Below is an English synopsis; a Dutch summary is here.

Introduction

Scholarship is in a state of crisis and the first branch that is no longer capable of keeping up with the others, is the study of Antiquity. This is not just the problem of classicists, Biblical scholars, archaeologists, Egyptologists, Assyriologists, historians, and so on. The causes of the decline of the classics are relevant to other branches of scholarship and science as well.

1 ‘A field of study, too easy for truly great minds’

What is the study of Antiquity? Subdisciplines. Poliziano and the origin of textual criticism; Nanni and source criticism; Erasmus; Pyrrhonism; antiquarianism and the widening scope of history; the Enlightenment.

2 Three Geniuses and a Politician

Winckelmann and Gibbon and the synthesis of earlier approaches; Philhellenism; Wolf defines the scope of the study of Antiquity; the organizer Von Humboldt; the rise of institutes; pros and cons of institutes. Four main problems:

1. insufficient attention to the ancient Near East,
2. archaeology insufficiently appreciated,
3. acceptance of an unproven continuity from Antiquity up to the present day,
4. historicism.

3 Words from the Past

Linguistic interpretation of ancient texts; cultural interpretations; intertextuality; subjectivity; Schleiermacher’s hermeneutics; Dilthey; formalism; oral literature. The fifth main problem: outdated information, because of (among other factors) outdated hermeneutic approaches.

4 Facts and Comparisons

Eyewitness accounts and primary sources; secondary sources; facts, indirect facts, aggregated facts; logical problems with empirical study; from fact to language; problems with historicism; acceptance of wide comparisons; justification of comparanda; need to collaborate with the social sciences.

5 The Handmaid of History

From antiquarianism to archaeology; Schliemann; archaeology as the handmaid of history; Kosinna; Childe; culture-historical archaeology and nationalism.

6 Archaeologies

Collaboration with the social sciences breaks historicism (a way to solve main problem #4); decisive changes (functionalism, Clark, radiocarbon); spatial archaeology (Iraq-Jarmo Project); the so-called New Archaeology; possibility to say meaningful things about continuity (a way to solve main problem #3); postprocessual archaeologies and hermeneutics; classical archaeology until 1970; Snodgrass; archaeology no longer a subdiscipline of classics (solution to main problem #2); Greece no longer considered the cradle of civilization; more attention to the ancient Near East (solution to main problem #1).

7 Facts and Explanations

The five explanatory models

• hermeneutics,
• positivism,
• comparativism,
• narrativism,
• physics of society.

Just when four of the five main problems were potentially solved, new problems arose.

8 The Fifth Main Problem

Three examples of serious disinformation; types of error (pseudo-history, quack history, exaggeration, contamination, outdated information); the rise of outdated information and its explanations:

• the internet*, combined with pay sites*, offer quack historians an opportunity to refer to sources, whereas true scholars can only refer to pay sites and will lose any online discussion;
• students must obtain their MA’s in too short a time*, and are no longer recognize capable of recognizing outdated information;
• the Convention of Valletta caused an archaeological data explosion.

We’re living in an age in which outdated information can spread faster than reliable information, while academics are less capable to fight against disinformation.

9 Waterskiing behind a Wine Ship

What is quality? Doubts about truth claims,* bureaucratic solutions.* Other problems: insufficient cooperation between historians, classicists, archaeologists; unanswered questions; insufficient theoretical innovation. Poor explanation to non-academicians; rise of a class of aggressive sceptics.*

How things went wrong. Failure of quality control;* underfunding;* disadvantages of bureaucracy;* no control whatsoever of the information sent out to the larger audience.

Must we accept the end of the classical studies? No, but reform is necessary and possible.

10 Leaving the Procrustean Bed

Scholarship should serve society, but the present Dutch universities are a Procrustean bed. What to do?

• Answer ignored questions about comparanda and continuity;
• Form follows content: only when we know what we really want, we can create a new system of study. Independent institutes are better than large universities. If creating an institute for all classical studies, is only possible by making it an elitist institute, that is acceptable.
• Make sure that the larger audience understands what scholarship is about.
• Create efficient types of control, not focused on the amount of articles published every year, but on the correctness of information that is circulating in society.

Subjects indicated with * are also relevant to other fields of scholarship.

Why Cuneiform Studies Matter

The Ptolemy III Chronicle

I have just written a review, to be published in Ancient Warfare, of John D. Grainger’s book The Syrian Wars. It is an important book, because the author shows that the Syrian Wars were crucial for the formation of the two largest Hellenistic states. Grainger essentially proves that Tilly’s Coercion, Capital, and European States (1990) is also applicable to Antiquity.

The trouble is that he might have written an even better book if he had been more aware of cuneiform studies. I know, those tablets are being published slowly, frustratingly so, and it is tempting to ignore them. Grainger is to be praised for at least reading the Astronomical Diaries, but still, he appears to be unaware of, say, the Babylonian Chronicles of the Hellenistic Period.

This is understandable. Like so many cuneiform texts, the chronicles have been published online only. In fact, they are still being discussed (compare this recent post). Nevertheless, the information is important. For example, Grainger is aware that during the Third Syrian War, the Ptolemaic army crossed the Euphrates, but concludes that it did not reach Babylonia. The Ptolemy III Chronicle (BCHP 11) in fact describes how the Egyptian forces massacred the garrison of Seleucia and captured Babylon. The Third Syrian War was much bigger than Grainger realizes, and Egyptian strategy was far more ambitious than he assumes.

Another mistake, less important, is Grainger’s date of the Babylonian War: the Antigonid attempt to drive out Seleucus, dated by Grainger to 311. He also writes that, to help the embattled Seleucus, Ptolemy launched a naval expedition to the Aegean. Grainger correctly dates this to 309-308, but this makes his overall reconstruction unconvincing: Ptolemy can have lured Antigonus‘ armies away from Babylonia only if the two operations took place more or less simultaneously. Fortunately, the problem vanishes once we realize that the Antigonid offensive in fact took place in 310. Grainger has not used the latest literature on the Diadochi Chronicle.

I am not writing this to diminish Grainger’s scholarship. As I said, he proves how important the Syrian Wars were, and an occasional error does not fundamentally change that. I wrote the above section to stress that two often ignored specialties actually matter: the study of cuneiform sources and the study of chronology.

There are two other points to be made. To start with, it would be nice if the students of cuneiform sources did a bit more to let the world know what they are doing. The Ptolemy III Chronicle, for example, might have been published in the Journal of Hellenic Studies. Grainger cannot be blamed for not knowing the Near-Eastern texts if there is not a signpost to give directions.

In the second place, the field of ancient history has become too complex. No one can know everything, and therefore, authors must invoke the advice of their colleagues. (This is why BCHP is preliminarily published online: to enable others to look at it, and make sure that no information is ignored.) And because no one can know everything, publishers have editorial boards. Grainger’s book deserved better editors, who might have spotted that their author had ignored, for example, Mittag’s Antiochos IV and Boiy’s Between High and Low.

Scholarship would really benefit were manuscripts to be put online first and books not to be published before a round of consultation. We have the means, we have the knowledge, and we have the technology to produce better books – so what are we waiting for?

The Bagayasha Chronicle

One of the fragments of the Bagayasha Chronicle

Finally, after years of struggling, Irving Finkel and Bert van der Spek have decided that it is time to bring the “Bagayasha Chronicle” online. It is an extremely difficult text, which still defies proper understanding, but seems to be part of an astronomical diary of about the 130s BC.

Nevertheless, it is reasonably clear that the text deals with the brother of the Parthian king Mithradates I the Great, Bagayasha, who visits Babylon for a punitive action. What happens exactly, is not really known, but the council of Greek elders has to explain things, generals are present, there is a reference to plundering, and the Greek citizens leave their homes. After this, we read about supplications from the Babylonians in the city, led by the šatammu; someone intercedes for the citizens; Bagayasha seems to agree and leaves for Borsippa. It seems that Babylon has acted treacherously, somewhere in the years following Mithradates’ conquest, perhaps when the Seleucid king Demetrius II Nicator was trying to regain his dominions (in 141-138).

Finkel and Van der Spek think that they have made all progress they were able to make, and have decided to an evulgetur, and I had the honor of preparing the online edition. They invite scholars to suggest new interpretations (more).

They have another fragment concerning Bagayasha in stock, which will be published ASAP. You can find the new chronicle here.

Tonight’s Lunar Eclipse, Seen from Babylon

Astronomical Diary, mentioning the battle of Gaugamela. The Babylonian astronomers correctly predicted the rise of Alexander and the demise of Darius III.

The ancient Babylonians were great astronomers. It is too easy to laugh about their astrological achievements: we know about the earth’s orbit around the sun and we understand why the seasons change with the constellations, but back then, it was quite a discovery that the rise of Aquarius always announced the rise of the water level in the Euphrates and Tigris.

In an age prior to the invention of statistics, it was also hard to recognize that within an interval of a hundred days, there’s always a ruler whose reign comes to an end (there are so many states and so many rulers, while their tenure of office is limited), so the astronomers’ discovery that within a hundred days after a lunar eclipse, there’s always a ruler who dies, retires, or is overthrown, is not to be derided.

As it happens, we understand the four systems with which the astronomers predicted the end of the rule of the leaders of independent states, because we can read the ancient handbook, Shumma Sin ina tamartishu. The eclipsed lunar disk was divided into four quadrants (top, down, left, right), which stood for Syria, Assyria and the north, Elam, and Babylonia – or, to use the ancient names, Amurru, Assyria and Subartu, Elam, and Akkad. The first quadrant touched by the umbra of the eclipse, indicates the direction where the threatened ruler lived.

The direction of the shadow offered a similar clue, although top, down, left, and right now stood for Babylonia, Elam, Assyria and Gutium (the east), and Syria.

There were supplementary systems, which offered some room for personal interpretation to the astrologer. First, the months of the year represented one of the four regions mentioned. For example, Simanu, Tašrîtu , and Šabatu corresponded with Syria. Then, the day of the eclipse, which can only be on the 13th, 14th, 15th, and 16th of a lunar month, correspond to Babylonia, Elam, Syria, and Assyria/Subartu.

Some minor points: the moment of the eclipse (early evening, midnight, after midnight) represented the consequences of the end of the reign: plague, diminishing markets, or recovery. If Saturn was visible, the power of the celestial omen doubled; Jupiter, on the other hand, protected the king.

So, what does this mean for tonight’s lunar eclipse? I do not believe in astrology, but I was surprised to discover that the four systems indicate more or less the same, plausible outcome. The moon is first eclipsed at precisely the edge of the left and top quadrant: so that means that leaders in Elam and Syria are in peril. The umbra leaves the lunar disk in the eastern part, threatening Syria again.So, the main system indicates trouble in the west, allowing for problems in the east. Iraq itself is safe.

Using the supplementary systems, we get the same result. Tonight’s date, after sunset, is 14 Simanu: the day promises the end of the reign of a ruler in Elam, while the month represents, again, Syria. Jupiter is not visible, Saturn is; and as far as the time is concerned, we can say that in Iraq, the eclipse is more or less around midnight, so the markets will diminish.

If astrology were a science, this would mean that within a hundred days, a leader who lives in Syria or the west is in grave danger. Alternatively, and with a smaller likelihood, the leader of Elam is in trouble – modern Khuzestan or the east. Now I am not a prophet, but if Assad or Ahmedinejad will be forced to resign, I think there will indeed be a big panic on the stock markets.

Literature

• U. Koch-Westenholz, Mesopotamian astrology. An introduction to Babylonian and Assyrian astrology, Copenhagen (1995, Copenhagen)

Postscript, September 1, 2011

OK, it turns out that the eclipse referred to Khadaffi.

Babylonian Calendar Conversion

A Babylonian astronomical text from the British Museum. It mentions the comet of Halley.

The Babylonian calendar is one of the greatest achievements of Antiquity: it combines a solar and a lunar cycle in such a way that the beginning of the year never wanders far from the Spring equinox. The basic theoretical principle is well-known: in a cycle of nineteen years, we have twelve years of twelve lunar months and seven years of thirteen months. Theoretically, dates in ancient Babylonian texts can be converted to our calendar; there are several webpages that offer converters, which are also useful for dates on Jewish calendars.

And that’s the problem. The Babylonian calendar is not exactly the same. In the end, a new month started when the new moon was actually observed, which means that the months could sometimes be one day longer or shorter, depending on the circumstances in Babylon or Jerusalem.

A more or less correct conversion is mentioned in the tables of Parker & Dubberstein, Babylonian Chronology 626 B.C. – A.D. 75 (1956; update 1971). Now, Dutch astronomer Rob van Gent of Utrecht University has made a calendar converter that’s not derived from the Jewish calendar, but is directly based on Babylonian information.

It’s still not perfect; from the Astronomical Diaries, we know that there are still discrepancies of one or two days. However, Van Gent’s converter is a giant leap forward. You can find it here.

1700 Ancient Sites on Google Earth

Hakemi Use (Turkey)

What you are looking for, is here.

The Cyrus Cylinder in Tehran (2)

Cyrus Cylinders For Sale

The Cyrus Cylinder has become a symbol of Iranian nationalism – for reasons that I already described above. Now, the object is in Tehran: a loan from the British Museum, where it normally is to be seen. This is remarkable, because in the twentieth century, the relations between Britain and Iran have gone from bad to worse, and quite recently, the Iranian Parliament discussed cutting the diplomatic ties altogether. It was no surprise that when the loan was, last year, unexpectedly postponed, the Iranians felt cheated.

There was a reason for this, however: two small fragments of cuneiform texts had been discovered that contained texts similar to that of the Cylinder. Apparently, Cyrus broadcast his interpretation of the conquest of Babylonia widely. The British Museum found the study of these fragments more important than loaning the object to Iran. I do not know why, but at first sight, I get the impression that those Iranians who argued that it was a deliberate act, may have a point. If the study of so many so much more important texts can be postponed (for half a century, a substantial part of the Persepolis Fortification Tablets was ignored), it is indeed rather suspicious that finding two fragments is considered important enough to risk a diplomatic riot.

Many Iranians no longer trust the British and there are wild (but unfounded) speculations that the Cylinder sent to Tehran was a replica. All this shows on the one hand how important the Cylinder has become to the Iranians, and how bad the relations between the two countries have become. Although I came to Iran to attend an engagement party in Isfahan, a visit to this exhibition, with all the political fuzz surrounding it, was irresistible.

A modern Persian carpet showing Cyrus the Great, seen in Tehran.

The museum has taken many security measures: visitors are not even allowed to take telephones with them. No one can say that the Iranians do not treat the object without proper care. After entering the museum, the visitors of the exhibition first arrive in a waiting room with replicas of Achaemenid art and large panels with information about the cylinder. I am aware that Persepolis is quite unrelated to Cyrus, and I am also aware that we have only Darius’ word that Cyrus belonged to the Achaemenid family (Herodotus’ evidence is probably derived from the Behistun text and can be eliminated), but the room is carefully arranged and it’s all nicely done.

After a few minutes, we could leave the waiting room and enter the room devoted to the cylinder itself, which lies in a glass display, together with the two new fragments. The Iranian woman with whom I visited the exhibition, was surprised that the object was so small. After five minutes, we had to leave the room again, as if a new group of people were being allowed to enter. The system is probably designed to manage large numbers of visitors, and I have heard that there have indeed been hundreds of people every day, but when I was there, we were with only five people in the room, and no one entered when we were requested to leave.

What always saddens me, is that that the Tehran museum does not sell any good books. You can get some replicas, but the visitor who really wants to know more, is left disappointed. The current exhibition would have been the perfect moment to change this, but the two small shops outside sell the usual touristy rubbish, including posters and mugs with a false translation of the Cylinder. The hundreds of visitors offered the perfect opportunity to spread good, up-to-date information; why the Iranian archaeological authorities have not seized this chance, I do not know.

The Rise of Islam (1)

The Byzantine-Sassanian War: Heraclius defeating Khusrau II (Louvre)

What happened when Antiquity came to an end? What marks the beginning of the Middle Ages? It will be hard to enumerate all aspects, but at least it’s certain that the imperial institutions disappeared from western Europe: no Roman state, no Roman taxes, no Roman armies. In the East, the transition was less abrupt. The Byzantine Empire continued to demand taxes, continued to build armies, continued to exist. Yet, it had to give up territories: the Arabs conquered Syria, Palestine, and Egypt. There was also a mental change: for the ancients, ‘us’ and ‘them’ had been identical to ‘Graeco-Roman civilization’ and ‘barbarians’, but after the transition, the basic opposition was ‘Christianity’ versus ‘Islam’.

This makes Muhammad one of the most influential people of Late Antiquity, or the Early Middle Ages. Without him, no Islam and no loss of eastern provinces for the Byzantine Empire. The prophet, his message, and his followers are extremely important subjects to any student of Antiquity, but they are very hard to understand. Our main sources are the Quran, which is not a work of historiography, and the traditions (hadith), which were written down many years after Islam had come into being. Even worse, many traditions have been regarded with suspicion from the outset. Using what he believed to be reliable traditions, Ibn Ishaq wrote the extremely influential Life of the Prophet in the 750s, more than a century after the death of Muhammad.

Until quite recently, modern western scholars have accepted the events mentioned by Ibn Ishaq as essentially historical. Although the miracle stories were ignored, the other anecdotes were considered to be reliable. The result was a more or less rationalized legend; an example is the book by Maxime Rodinson, Muhammad (1960). This approach was not unlike the way Thomas Jefferson dealt with the gospels. Rodinson’s view has become more or less canonical – Karen Armstrong’s Muhammad. A Prophet for Our Time is an example – but we might have expected something more critical than “believing everything in the sources except that which presupposes a suspension of the laws of nature”. Accepting sources in this way, without asking why they were written down in the first place, is called “naïve positivism”.

Because rationalized legends became untenable, there have been new quests for the “historical Muhammad”. There is, for example, the Luxenberg thesis, which implies that the Quran is not written in Arabic, but in a mix of Syriac and Arabic. This is not as far-fetched as it seems, because Syria was certainly important in early Islam and the Quran is written in a “defective script” without vowels and with possible confusion of several consonants (e.g. b, t, and th). The Luxenberg thesis indeed helps to expel some minor problems, but also creates one big problem: we have to assume that the Quran was not recited for a sufficiently long time to forget its original language. This seems extremely implausible (more…).

Yet, the Luxenberg thesis is not the worst new idea. There are also a couple of nonsensical theories. Although it is certain that Nestorian and Monophysite Christians left the Byzantine Empire and settled in the Syrian and Arabian Deserts, and although it is certain that many warriors in the early Islamic armies were Christians, it is ridiculous to assume that Islam was created when people no longer understood the Monophysite hymns and prayers. Granted, the name “Muhammad” means “the blessed one”, but it is unlikely that people, after singing a Syriac or Arabic version of “Blessed is He who comes in the name of the Lord” asked “who is that Mr Blessed?” and started to invent both the anecdotes about and the person of the Prophet.

I was under the impression that the quest for the historical Muhammad was a cul-de-sac. But I was wrong, as I will show in my next posting.

1600 Ancient Sites on Google Earth

The center of Alexandria

What you are looking for, is here.

The Story of a Cuneiform Text

A Babylonian Brick

About two years ago, my friend Ellen contacted me. She had obtained a fragment of an ancient Babylonian brick, which one of her friends had given to her. Was I interested? Certainly, and I became even fascinated when I noticed that it contained an inscription.

How did a Babylonian brick come to Holland? It turned out that the father of Ellen’s friend had been working in the off-shore in the mid-1960s, and had on one occasion visited Baghdad and the ruins of Babylon. He had bought the brick in Hillah and had left the object to his son, who contacted Ellen.

The Leiden Brick

My friend Bert van der Spek identified the signs as archaizing Babylonian, which means that the brick dated to the glory days of the Neo-Babylonian Empire. He told me to ask another assyriologist for more information, but she never replied to my request, and I did not really know what to do. I offered it to a museum, which didn’t reply either, and decided to offer it to the Leiden Rijksmuseum van Oudheden, which immediately accepted it after I had told them about the way I had obtained it. (A museum cannot buy antiquities that have come to Europe after 1970 or 1971.) Today, I traveled to Leiden and left the brick at the museum.

When I returned home, there was already an e-mail from the director, who had immediately handed over the object to the curator. He must have been amused when he read the text, because it turned out to be a copy of a much better preserved brick that was already in the museum (more…). It is now also possible to restore the full text, which is not really surprising: “Nebuchadnezzar, king of Babylon, keeper of Esagila and Ezida, oldest son of Nabopolassar, king of Babylon”. A standard text, but it’s nice for Ellen and her friend to know what they have had in their hands, and what, thanks to their care, now is where it belongs: in a museum.

Announcing the Destruction of a City

Defenders of Niniveh, killed in action while trying to prevent the sack of their city

A friend of mine recently attended a lecture in which someone discussed the speech of the Rabshakeh, an Assyrian commander who besieged Jerusalem in 701. In 2 Kings 18.25, he announces that he will sack the city: “Is it without the will of the Lord that I have come up to this place to destroy it?”

At this point, the lecturer paused and asked to those present if they could name another example of the announcement of the destruction of a city. No one knew. The speaker mentioned Thucydides‘ Melian Dialog, in which the Athenians threaten to destroy the city of Melos, which my friend found surprising. He summarized the lecture for me, and I got the impression from his words that the speaker had suggested that there were only two examples of a direct threat.

That turned out not to be the case, but since I read his summary of that lecture, I have been wondering how often commanders announced that they would destroy their opponents’ city. After all, it seems like a nice adhortation to your own men that they will be allowed to plunder. At the same time, it must be demoralizing for the besieged if they know that they will be molested, raped, killed. I would have expected that there would be evidence for threats like these, and indeed remembered Censorinus’ speech at Carthage (Appian, Punic Wars 81).

And that’s it. I’ve posted it at RomanArmyTalk (here), but even the guys over there, who are usually well-informed, could not mention a fourth instance. Anyone any thoughts?

Paris, Louvre

Persian soldier from Susa

It is hard to write a review of the Louvre in Paris, because it is one of the world’s largest museums. There are many departments, and each one of them might, in its field, have been a museum of the first order. For example, it is hard to find another Egyptological museum in Europa that equals the Louvre.

The museum also has a reputation for interesting expositions – one on Meroe and one on the archaeology of Saudi Arabia during my latest visit – and one ought to visit the Louvre twice a year to keep in touch. The people of Paris are unusually blessed.

Echnaton

If you visit the museum for the first time, you will be surprised by the pyramid-shaped entrance. Use the time you lose to pass the bomb check and buy a ticket to look at it, because it is a monument of the first order.

I already mentioned the Egyptian department, where you can easily spend a full day. There are portraits of the Egyptian kings and objects from daily life, and what is even better: the full history is dealth with, so you will also find objects from the first millennium BCE. The Greek, Roman, and Coptic age are not ignored either, although you need to go to Greek department for the royal portraits of the Ptolemies.

An Arabian warrior

The Egyptian department is deservedly famous, and attracts many visitors, who are usually exhausted when they are half-way their tour. Usually, they will take the shortest route to the exit, which brings them through the departments of Cypriote, Arabian, Palmyrene, and Phoenician art – which are, as a consequence, full of people who are not interested in the objects. That is pity, because these rooms alone justify a trip to Paris. Still, if you manage to ignore the crowd of tired visitors to the Egyptian department, you will certainly enjoy coffins from Sidon, Byblus, and Carthage, Nabataean inscriptions, and statues from Cyprus. One of my favorites is a relief of one of the divine triad of Palmyra. You will need half a day to study it well.

The Code of Hammurabi

Next to it is the Oriental department. The most famous object is, of course, the Code of Hammurabi. Don’t concentrate on the diorite monolith only, but also look in the small display in the same room, because there you will see cuneiform tablets with the same text – one of them written more than a millennium later and proving that these laws had become some kind of Mesopotamian classic, and it is probably no coincidence that the division of these Old Babylonian laws returns in the Ten Commandments.

Early Sumerian mask

The Code of Hammurabi was found in Susa, which is a prominent part of the oriental collection. You will also see a wall decorated with Achaemenid soldiers and cuneiform tablets from this Iranian town. Other important excavations are Mari and Khorsabad, but there is a lot more to see. There are also rooms devoted to Jordan and western Syria; they are not adjacent to the eastern Syria and the other Levantine rooms, which is a bit impractical – but the Mesha stela is worth the detour. You need a full day to study the entire oriental department.

Pompey

The Roman department is surprisingly small. Yet, there is a lot of fine sculpture, including a nice series of portraits of Roman rulers – including the emperor Inconnus about whom I already blogged. Next to it is a comparatively small Etruscan department. A galery of rather mediocre statues brings you to the room devoted to Roman art that was later restored, which is great fun: usually, you can immediately see which part is ancient and which is an addition. (Here, you will also find Canova’s famous Amor and Psyche.) You need about half a day to see it all, read the explanatory signs, and take your photos.

Alexander: the Azara herm

The Greek department is larger – you again need a full day to study it all. The two most famous pieces are the expressive Nike of Samothrake and the famous Venus of Milo. The latter is more or less the museum’s raison d’être. Napoleon had looted the Italian museums, but after he had found his Waterloo, all those works of art had to be returned. In an age in which it was believed that inspiration by great art created great minds, and that Greek art was the most inspirational, the emptying of the Louvre was believed to be a national disaster, but fortunately, the Venus of Milo was found. Now, France could compete again with the British, who had the Elgin Marbles. That the armless deity was a Hellenistic and not a Classical statue, was ignored – the inscription which proves it, is now conveniently lost.

Croesus

The Greek department also has some fine temple remains (from a/o Assos), the Tanagra statuettes that I increasingly love, and lots of pottery. Unfortunately, the rooms with Greek ceramics have rcently been closed. I haven’t seen the Croesus to the left for quite some time: last time, the room was closed to install better protection; before that, it was on loan to another museum.

The crowds are very large, and you may count yourself lucky that I did not bring you to the paintings. This makes a visit to the Louvre a bit difficult, and you must prepare yourself well; fortunately, the museum’s website is excellent. Four days is the minimum for the ancient departments.

Demetrius Poliorcetes

Finally, I must mention one little gem that is often ignored and where you can, consequently, quietly look at the objects: the room with metal objects. There is some fine silver work, but you will also see the helmet of a gladiator, a nice statuette of the Tyche of Antioch, the head of Demetrius Poliorcetes, a hoplite’s panoply, a curse tablet from the Crimea, Roman military diploma’s, and so on.

But unfortunately, that’s the only part of the museum where you will not meet many other people. In fact, the museum is too big, and I think that it would be wiser to split it into smaller museums.

Berlin, Pergamonmuseum

The Pergamon Altar, when it’s not too crowded

The Pergamonmuseum is probably Berlin’s most famous cultural institution. It contains three major collections which, each in itself, might have been fine museums: a classical department, a department of ancient Near Eastern art, and a department of Islamic art. What they have in common is their connection to the former Ottoman Empire. In each of these departments, you will see splendid works of art.

Ishtar Gate

The museum is named after the city of Pergamon, where German archaeologists found the famous altar that now stands in the central room of the museum. (In fact, the museum was built around the altar.) The north wing is devoted to Greek and Roman art, and you will find archaic sphinxes, classical reliefs, and so on.

The south wing contains the department of ancient Near Eastern art, which includes the famous Ištar Gate from Babylon and the ancient procession road, which appears to date back to the Seleucid age. Among the other objects are orthostats from Tell Halaf, prehistoric finds from Uruk, the royal tombs of Assur, bronzes from Luristan, objects from Nineveh, and of course lots of cuneiform tablets. Among the most fascinating documents is a tablet that mentions the Judaean king Jehoiachin.

A late-Sasanian/early Islamic boar from Ctesiphon

If you go upstairs, you will find yourself in the department of Islamic art. Again, a complete building has been moved from its original location to the German capital: this time, a substantial part of the wall of the early Islamic Mshatta, one of Jordan’s desert castles. But there’s a lot more to see. I must have been gazing at a splendid manuscript of Saadi‘s Rose Garden for at least half an hour.

It is easy to spend a day in the Pergamonmuseum, and that is also a problem: it can be extremely crowded. When I was there last June, I could easily enter the building, but last week, early August, there was a long queue. When I entered the museum, it felt muggy, and I wondered whether the humidity wasn’t dangerous for the objects.

Common Errors (33): Cradle of Civilization

Bronze Age city Ebla

One of the things that made me smile in Damascus was the use of slogans. Tourists are attracted with the sincerely brilliant “Come to Damascus. Get a vision”. (The place where Paul of Tarsus saw the light is along the main road to Bosra.) Less felicitous was a series of posters that showed the president, apparently modeled on Harvey Dent and even including a paraphrasis of his slogan (“I believe in Syria”).

Another slogan states that Syria was the “cradle of religions” – which indeed attracts visitors. Western Christians come to Damascus to see the place where Paul escaped across the city wall. I once flew from Tehran to Damascus in the company of a group of pilgrims who wanted to visit the tomb of Huseyn, the third imam.

Most relics are of rather doubtful authenticity – the window from which Paul was lowered is medieval – but there is a more serious problem with this religious tourism. To understand it, we must go back a while, two centuries, to Berlin. At the beginning of the nineteenth century, the government of Prussia was reorganizing its educational system, and founded a new university that was not based on a medieval model, but on the needs of science and scholarship. Generally speaking, this reform was a great success, and many modern universities are based on the Berlin model.

However, for ancient historians, the new model was disastrous, because it became part of two faculties. People studying ancient Greece and Rome had to learn Greek and Latin first, and had to visit the subfaculty of classical languages; those who wanted to study the ancient Near East, had to attend courses at the subfaculty of Semitic languages. What had always been a unity, now became divided – and unfortunately, this division became popular in other countries.

In those days, the Greeks and Romans were a source of inspiration to the civilized, liberal bourgeoisie, which believed that the ancients had been free people who thought rationally. Classical Athens and Rome were, therefore, studied from a humanist point of view. On the other hand, scholars interested in the Near East studied the past to better understand the Bible. This was considered to be so important that, once the cuneiform script had been deciphered, priority was given to the publication of those tablets that helped to illuminate the rise of Judaism. Administrative documents, for example, were neglected.

So, in the nineteenth century, one part of Antiquity was explored from a humanist point of view, and the other from a religious perspective. Texts were selected accordingly, and it was inevitable that the difference was projected on the past itself. People started to think that the ancient Near East was the cradle of our religions and that Greece marked the rise of rationalism.

At the beginning of the twentieth century, all this started to change. Cuneiform tablets have shown beyond reasonable doubt how much the ancient Babylonians had achieved as scientists, echos from Semitic poetry have been found in the oldest Greek literature, and books like Eric Dodds’ famous The Greeks and the Irrational have made it clear that it is silly to think of the ancient Greeks as Enlightenment philosophers avant la lettre. No professionally trained historian can accept the previously mentioned dichotomy.

Unfortunately, they are still employed in the mass media – think only of Frank Miller’s 300 (review) and a book like Tom Holland’s Persian Fire (review). Occasionally, a serious scholar succumbs to the charms of simplicity, like classicist Paul Cartledge and political scientist Anthony Pagden, who are apparently serious when they write that East and West are involved in an eternal struggle between freedom and despotism, rationalism and mysticism.

The truth is that there is not so much difference between on the one hand Greece and Rome, and on the other hand the ancient Near East. It is quite ironical that the Syrians have accepted the western prejudices about the “cradle of religion”. Syria has a lot more to offer than that.

<Overview of Common Errors>

The Portrait of Artaxerxes II Mnemon

Artaxerxes II

Achaemenid art was not very innovative. In the days of Darius I the Great, the basic forms were established, and later artists did not really change these patterns. A king was shown sitting on a throne (example), or killing an animal (example), or sacrificing (example). On seals, there is some variation, but essentially, the Achaemenid artists preferred to emulate good art instead of inventing something new.

As a consequence, they never invented the portrait, and all kings look like Darius, with the same beard. Until now, I knew only one representation of an Achaemenid king by an artist who wanted to show what the ruler really looked like: the portrait of Artaxerxes III Ochus in the Amsterdam Allard Piersonmuseum, made in Egypt. We may perhaps add the Darius III Codomannus on the Alexander mosaic, although I can hardly believe that the Greek painter whose design was used as a model, had really seen the great king.

In the Archaeological Museum of Antalya, I discovered another candidate: Artaxerxes II Mnemon is represented on the tomb of (probably) the Lycian leader Pericles of Limyra. Unfortunately, it is very damaged, but the man clearly has his tiara tied up so that it stands erect. You can also recognize the diadem. Did the sculptor really see the great king?

Nisibis

The church of Mar Jacob

The history of ancient Nisibis, modern Nusaybin in southeast Turkey, is almost a summary of everything there’s to be said about Antiquity. The town is mentioned in Assyrian and Babylonian sources, the Achaemenids waged battle near Nisibis, Alexander and Antiochus III passed through the city, the Parthians, Adiabenes, Armenians, and Romans tried to capture it. Once it had become Roman, it was defended by two legions, and one of the greatest Latin historians, Ammianus Marcellinus, was an eyewitness when the city was finally ceded to the Sasanian Persians. Pagans, Zoroastrians, Jews, Manichaeans, and Christians of almost every type – they’ve all been there.

There’s not much that reminds the modern visitor of the past glory. In fact, it shockingly resembles another city that summarizes a substantial part of world history: Berlin, which is a miniature of the twentieth century and was, like Nisibis today, a divided city. The northern part is Turkish, the southern part is Syrian, and there’s a lot of barbed wire in between (satellite photo). And right there, in the no man’s land, are the remains of an ancient Roman gate – inaccessible.

I wrote a new page about Nisibis, with some photos we made in September 2007; it’s here.

Tepe Sialk

Tepe Sialk

Kashan is best known for the lovely Fin Gardens, which are certainly worth a detour, but people who like archaeology will also be interested in a visit to Tepe Sialk. It’s one of the most important excavations in Iran, because it helped to establish the chronology of the Chalcolithicum. However, the high hill we see today, is younger: it is an eroded ziggurat from the 29th century BCE.

Fourth millennium vase (Louvre)

Some beautiful pottery has been found in Tepe Sialk, which can now be seen in the Louvre and the Archaeological Museum of Tehran. I was surprised to discover that even the Rijksmuseum van oudheden in Leiden, which is not really famous for its Iranian collection, owned a splendid beak pot.

My new page is here. As always, I liked bringing together photos from the museums with photos from the site itself, which I visited in 2004, when the excavations were still going on, and in 2009, when everything was ready to receive visitors.